Changes of season. What to do with plants

by José Luis Coria

Agronomist

joluco_22@hotmail.com

Autumn will very soon embrace, so to speak, the beautiful and varied universe of plants, thus forcing them to go through the silent road to rest, until spring comes.

The first sign of summer falling behind will be foliage colour change. The species of deciduous leaves will start falling, leaving trees naked. These leaves will form ocher-coloured paths that will provide a shelter to tiny animals, like worms and larvas, and will transform into fertile soil thanks to the action of decomposers.

We must leave nature act, and start thinking about what to do with our plants from the first frosts. That will be the moment of pruning – one of the arts of gardening. This task must be done by skilled people to avoid damaging plants. Each of them requires different procedures, according to the species and also to the state they are in. Pruning citrus fruit trees is not the same than pruning stone fruit trees, rose trees or a grapevine.

The gardener will know which branches should be removed, either because they are dry, sick, or because of any of the typical plagues attacking plants. By the same token, a specialized person will also be able to determine what type of shape a tree top requires to favour the intake of sun rays. For cuts larger than 10 cm, the technician will apply cicatrizant products to prevent plagues from setting in the openings. It is absolutely vital that the tools used be completely disinfected.

The pruning season starts on the first days of June, and extends up to the middle of August; doing it otherwise will imply high risks for the plants.

A Regional Ranking Exhibition

by José Roberto Espinosa

Writer-Environmental Specialist

jrobertoespinosa@hotmail.com

INTA Expone, de la Región Pampeana (Pampa Region INTA Exhibition), a regional ranking event, took place in the city of Márcos Juárez, Córdoba, from April 15th to 17th this year.

Technicians, producers, business owners, students and general public from all over the country gathered there to know about and value the important work carried out by the National Institute of Agricultural Technology (INTA) in the field of research and agricultural extension.

The exhibition stands were arranged in a circular way, which allowed the presentation of different topics, as well as their distribution between research and extension, thus emphasizing the added value in all the production processes, which may potentially improve Argentina’s production capacity, and consequently, the quality of life of its inhabitants.

Scientific and technological developments in the field of natural resources and environmental management, forestry, intensive production, family farming, livestock and extension, among others, were shown in each of the stands – multi-shaped tents located in three interconnected concentric rings starting from the outside and converging in the center. Primary production was found in the first ring; handling and processing was the theme of the second ring; finally, the central part showed finished and institutional products.

In this way, all the activities related to agro-food production were represented in INTA Expone 2011.

There are still some unresolved issues which are not the sole responsibility of INTA. Argentina needs a national law on plant protection in order to regulate the use of large quantities of chemicals, like phosphorus fertilizers, fungicides, insecticides and herbicides (glyphosate and atazine). Soybean production uses about 200 million liters of herbicides. A key aspect is the correct application of these products, because their security is closely linked to how they are used, and when applied incorrectly or carelessly, they become highly dangerous.

It is necessary to systematically collect data so that research centers (including universities) determine the impact of chemicals on human health and the environment. These field works should be promoted by the national government as well as by provincial and municipal authorities to bring people some peace of mind in this aspect.

News from the Sky

by Aldo Hugo Olguin 

Prof. of Mathematics, Physics and Cosmography 

aldohugoolguin@yahoo.com.ar 

Orion constellation during at dawn in May, as seen from Villa de la Quebrada - San Luis, Argentina.

May and June in San Luis offer quiet days, with moderate temperatures which allow us to make the most of pure air in its charming hills, as well as the long and transparent winter nights.

Nights are so long at this time of year that we can see constellations like the one shown in the picture set in the horizon at dusk, and rise again in the East the next day, when the sun comes out. Live this experience!

Sirious is the brightest star in the whole sky. Its bluish-white color will invade the West horizon, and will be the morning star in May.

Planets: Jupiter, Venus, Mercury and Mars, a fabulous multicolored combination.

Pilgrims1 will be able to enjoy this beautiful meteors rain coming from the Aquarius constellation.  These are the remains of the Halley’s Comet.  

June gives us a lunar eclipse. The appointment is at dusk, on Wednesday 15th, when the Moon rises in the horizon, partially eclipsed. To see how the Moon emerges from the Earth’s shadow will be an impressive show occuring near the winter solstice in 2011.

Do not forget to dress warmly if you go out to see this show. Thank you for your attention. Until the next issue!

1 N. of T. People travelling on foot to Villa de la Quebrada, a village located at about 38 km from San Luis capital city, where a religious celebration is held every year.

Food is also part of Politics

by Lorena Avila Cantisani 

Correspondent in Spain 

soydeargentinacom@hotmail.com 

I want to share with our readers the experience of Biocultura (Ecological Products and Responsible Consumption Fair), an event which took place last March in Valencia (Spain).

During the fifties, the “green revolution” came together with fertilizers and man-made insecticides, and we were told hunger would soon come to an end; nowadays, the same argument is used to introduce transgenic foods. A transgenic or genetically modified (GM) food is a living organism which has been artificially created by manipulating its genes. For example, are we told how wine from a foreign country is produced? Are we told about people’s working conditions? Do we ever ask ourselves why products from far-away countries are cheaper than those produced locally? Today, at the beginning of the 21st Century, our products are not as competitive as those produced abroad, where producers may not have decent conditions which allow them to live on their work, and do not owe the land – which are property of multinational companies, like Monsanto and Novartis, among others. 

If money rules the world, why not using it as a tool for social transformation instead of using it as an end in itself? Responsible consumption, also called sustainable, conscious or critical consumption, encourages us to think about various issues when it comes to spending our money.  The responsible consumer chooses the option which less affects the environment in a negative way, and the one with the most positive effect on society. 

Pablo Chamorro, Education Chief for Greenpeace Spain, states that: “those minimal choices, together with the choices made by millions of people will influence the way of making business, producing foods, and respecting human rights”. Another face of responsible consumption is the one involving a consumption reduction, and just buying what is necessary, not being influenced by advertising and superfluous needs (i.e. asking ourselves if we really need to buy what we buy). Toni Lodeiro, author of the book “Consumir menos, vivir mejor”(Buying less, Living better) says: “Buying is a way of participating and stating our opinion. When we buy, we choose the values behind a company, and support their activity through our purchase.

Each purchase is a vote. What would happen if we all chose to consume ecological products? What would happen if we all stopped buying products made by contaminating companies or companies exploiting children? As consumers and customers, we all have a relation with money and are responsible for the type of society we are shaping through our economic choices. The documentary called “Comprar, tirar, comprar” (To buy, to throw away, to buy), by Cosima Dannoritzer, has aroused criticisms to the consumer society. The film deals with the secret story of Programmed Obsolence. “Obsolence works with the creation of artificial needs thanks to which an object of consumption starts to be seen as old or outdated by buyers”.  

Each time we buy or consume a product or a service, we are influencing the market. In many cases, the difference between two options is just lack of information. We must gather data and arguments in order to save on our consumption or to make sensible buying choices. Act through the way you buy!

“Nothing about us without us”

by Gabriela Rosell 

BA in Special Education - Early Stimulation Specialist 

grosell@unsl.edu.ar 

Many times, people find it difficult to speak about disabled persons because they are afraid of being offensive, or hurting their or their families’ feelings. Thus, they search for thousands of ways to “soften” some terms by means of euphemisms (little special people, people with different capacities, among others). The easy or convenient answer people tend to give when faced to this situation is “no matter which name comes into fashion; we always do the same thing”. Even when this is a much more complex issue, I will try to shed some light on it.

We all know that the names which have historically been used to refer to disability have eventually ended up being used as insults. Terms like idiot, imbecile, mentally handicapped, invalid (among others) were scientific names used in the past, which were created in a particular historical and functional context, typical of a historical period. However, they started being used for mockery or insult as time went by.

According to the Declaration of the Rights of the Child (1959) and the Convention of the Rights of the Child (1989), we all have the right to a name. This name should not be replaced by any name referring to the person’s condition. This means that Cristina is not a CP (Cerebral Palsy); she is Cristina; Carlos is not a fragile X; he is Carlos; Esteban is not a GDD (General Develepment Disorder); he is Esteban; Anibal is not a Down (Down Syndrome); he is Anibal. In order to back this up, it is good to know that “Person with Disabilities” is the term used in national and international laws, scientific developments, and formal or academic settings. But what has really been decisive in the choice of this term is the fact that PEOPLE WITH DISABILITIES HAVE CHOSEN TO BE NAMED LIKE THIS. When? During the Convention on the Rights of Persons with Disabilities and its Enforcing Protocol, at the UN General Assembly, on December 13th 2006. It was at that Convention, and considering the full participation principle that scholars, politicians, families, ONGs and governmental organisms discussed topics related to disability. “Nothing about us without us”, the slogan of the Convention, was acknowledged in Argentina by National Act No. 26.378- 2008. Then, if we speak about respect, we must learn to listen to what persons with disabilities have to tell us. We must respect, among other things, the way persons with disabilities want us to call them.

Information about the vibration platform

by Mabel Dominguez

dominguez_mabel@hotmail.com

The vibration platform is a vibrating device which has emerged as a new physical exercise system and concept. It is intended for people of any age, lifestyle, and physical capacity. Most of these equipments have different preset levels of training, which are handled through a digital control, and work for different periods of time, with different frequency variation and vibration intensity levels, as well as different articulation angles. Platforms have a base and a vertical column. The base or platform produces vibrations in different directions and with various frequencies. You can work out on this platform, which will allow you to tone up your muscles and lose weight at the same time in short sessions of 10-20 minutes. The platform basically produces the natural stimulation of the whole body as a response to vibration. Vibrations generated by the platform causes energy waves to go throughout the whole body; this activates muscle contractions, and improves the physical performance with just 3 weekly sessions of 15 minutes each.

Benfits of the vibration platform

•          It improves the physical performance

•          It improves muscle tone

•          It improves bone density, thus avoiding ostheoporosis

•          It improves flexibility

•          It activates blood circulation and lymphatic drainage

•          It prevents and improves cellulitis

•          It increases the metabollic rhythm

•          It reduces stress levels

•          It is good for massages

•          It is good for relaxation exercises

•          It helps to soothe the pain

•          It activates skin regeneration and the conjunctive tissue

•          It takes little time

Music Therapy

by Delia Fernández

Reiki Master

Humans have always been fascinated by music. It is made up of rhythms, melodies, and polyphonies: our life is music! It moves between periods of rest and activity, day and night, sleep and wakefulness. Each of our cells vibrates. Thus, music is art made by time, which fills in the air with its invisible presence.

A holistic view of health implies seeing the body as an instrument which we must take care of and “tune” to make it work properly.

By using a combination of sounds, music and movement, music therapy produces beneficial effects on the body, it opens communication channels, it helps the participant improve his/her health, or to keep him/her healthy, and it promotes a harmonious relationship between our body and its environment.

Music is a link, a means of communication with other people. For this reason, music is an act of love, and singing is its best expression. TODAY IS THE DAY!

Alexandra Rubiño, a style

by Joseph Pomelapocha

Cuban artist and writer

pomelapocha1@gmail.com 

Mainly equipped with concrete, Alexandra Rubiño also incorporates canvas, plaster cast, iron, paint, and recycled material to create her own sculptural world, which makes us go deep into a game of colors. She promotes nostalgia for cave paintings. Her discourse is convincing, original, imaginative, so much so that it forces the viewer to stop; it forces the viewer to imagine a bold and pretentious world. This is what certainly happens when, for example, we surrender to observing her work “Salida” (Exit) (1.20 x 0.60 cm.): far from leaving, as its name suggests, one goes deeper into it, wishing to grasp all the hope described in it. The work entitled “Sol” (Sun), on its part, illuminates the fantasy world we all carry inside us, -but which many a times we ignore how to let out. Alexandra tells us how to do this through the everlasting little girl dwelling inside her, producing a tangle of colors and youth that lets us look back with a smile, though aiming the future. Talent seems to have been born with her: she has continually been fond of artistically creating with different materials; after she finished her studies on Visual Arts and majoring in sculpture, she devoted equal efforts to designing concrete walls, and illustrating books. Following my analysis of Rubiño’s picturesque mission, I think viewers really like and enjoy the strong smell emanating from her work entitled “Perfume”, where a musical verb flourishes, so to speak, and one can feel the need to go hunting for this huge animal called communication.

In 60 x 40 cm, the artist defeats differences, and gives pleasure to the soul. She extracts the materials she habitually uses from the area where she lives, like clay from Chorrillo river. Her murals, ideal for decorating gardens, are a proof of her pride to be an artist from San Luis, and the expression of her sense of belonging to Juana Koslay. This all is highlighted by her work entitled “Argentina”, a 30 x 20 cm canvas, which offers a sample of Argentinean folklore and national colors. Since I mention Argentina’s national symbols, I would like to raise my glass in a toast for Argentina’s Flag Creation Day, and this country’s Independence Day from Havana Congratulations! And being in love with Alexandra Rubiño’s creative beauty, I would like to tell you what I could perceive at the Independent Art Show - CulTurAr Habana 2010 - , which took place in Habana Libre Hotel. “Escarabajo Azul” (Blue Beetle) reveals Alexandra’s look to the past world, the heart beat of which she revives today in her sculpture. With a look both steady and optimistic, this work hides Alexandra’s smile with the intention of giving Chorrillo’s waters as a gift to the viewer, so that the thirst of a world menaced by wars and epidemics can be quenched. Thank you, Alexandra Rubiño, for your love of colors!

Reiki Method

This method was developed by Japanese Mikao Usui after a long and successful research work in 1920.

This technique does not have contraindications, and it is open to all beliefs, so everybody can gain access to it.

The hands of those who learn Reiki, become channels through which the natural energy that surrounds us all flows. This energy gives us life, and maintains our own vitality without losing it or absorbing anything from the person we treat.

Reiki is for those who live step by step, one day at a time. It aims at helping us feel fine and in harmony with ourselves and others, to keep ourselves young, to attract the positive and live a life without restrictions.

It is simple, practical, effective and natural – such is the Japanese technique of Reiki.

Welcome to learn about it!

News from the Sky

by Aldo Hugo Olguin 

Prof. of Mathematics, Physics and Cosmography 

aldohugoolguin@yahoo.com.ar 

The light on the surface of our planet changes throughout the year as the Earth revolves around the Sun. This motion produces the different seasons, each one with its own characteristics. March 21st begins a new fall in our hemisphere, and a new spring in the northern hemisphere. On that day, the rays of the sun fall vertically on the Equator, and illuminate both hemispheres equally. There are 12 hours of darkness and 12 hours of daylight on Earth.

But, does only light come from the sun? Man has investigated this star and its influence on the interplanetary medium since Galileo’s times, about 400 years ago, when he warned us of the fact that the visible face of the Sun was not as pristine as it was once thought. Galileo explained that the sun presented dark spots that were visible to the naked eye when the Sun was near the horizon. Today we talk about SPACE WEATHER to point to the set of phenomena and interactions that take place in the interplanetary medium. This is mainly regulated by the activity that originates in the Sun, which affects both satellites and planets.

Geomagnetic storms that occur as a result of solar activity also influence the different forms of life. In Figure 1 (total solar eclipse), we see that the moon (the black circle) covers the solar disk, from where the light we receive from the Sun comes (the solar photosphere), and thus the irregular-shaped outer layer becomes visible (the solar corona). It is from this place that high-energy radiation comes from, as well as the huge bursts of hot plasma which is accelerated by the pressure of solar radiation into interplanetary space. These coronal mass ejections (Fig. 2) could, at some point, reach and penetrate the Earth's magnetic field, thus producing high-intensity currents in power lines, and leaving them unused in a few seconds - with the consequences this would bring to a highly technified society.

In 1859 a storm of this type put out of service the recently opened telegraph lines.

The NASA twin STEREO probes  (Fig. 3) are currently photographing the Sun in three dimensions and monitoring the turbulent activity on its surface to predict the weather in space, as well as to record storms heading to different planets.

Our question: Can man take this gigantic energy for the benefit of mankind in the near future? This will certainly be the greatest challenge for those who inhabit the Planet Earth.

Enjoy fall as much as spring!

Cultural Exchanges

by Paola Irastorza

Guía Hueney Editor-in-chief 

guiahueney@hotmail.com

With a few words, and some pictures, I would like to round off what the Cuban artist, Jose Pomelapocha, expressed in relation to San Luis artists’ feelings towards the recognition awarded in one of the best developed countries  in the field of commercial circuits favouring artists.

It is worth mentioning that last February 12^th, we, the participants of Guia Hueney Art Walk (artists, supporters, columnists and friends), met to enjoy art, culture and tourism shows offered by Guia Hueney. Certificates and acknowledgements were handed out to all those who supported the memorable adventure of showing the potential of San Luis abroad.

The Suyai Institute

The Suyai Institute encourages the education of coexistence, where there is no room for violence or lack of respect. Instead, solidarity, tolerance and civic conduct are highly fostered.

Students who attend our school can access to an egalitarian education, where diverse thoughts, attitudes, beliefs, capacities and abilities are catered for. This way, communication between teachers and students is guaranteed, which implies the acknowledgement of each student as a unique person with his/her own evolutionary time and capacities.

The institutional line of teaching is characterized by a permanent stimulus to knowledge acquisition (conceptual content), knowledge of how to do it (procedural content) and knowledge of being (integration of the above- mentioned contents to complete the instruction)

GENERAL OBJECTIVES

To create an environment that will improve the teaching-learning process by fostering the integral development of the student, the teacher and the parents within the framework provided by actions intended for complementing and specifying their knowledge and responsibilities.

To build – together with the educational community – an environment which will allow students to walk the path of learning in an environment of freedom, safety and motivation; thus, contributing to the building of a school identity.

The importance of used oil

by Lorena Avila Cantisani 

Correspondent in Spain 

soydeargentinacom@hotmail.com 

Used cooking oil can have a second life if we recycle it to make new products, such as biodiesel or soap. Used oil is a residue produced daily in most households. A family of four is capable of generating between 18 and 24 liters of used oil annually. A common action to dispose of this waste is throwing it down the drain, but this has a negative impact on the environment. The right thing to do is to collect all used oil in a plastic container and place it in a storing spot for this type of waste.
When you pour used cooking oil down the sink drain, there is a risk of blocking the pipes. Fat cools down and adheres to the walls of the ducts, which acts as a sticker for other residues, forming a plug and preventing water from flowing freely.
Due to the fact that the process of separating fats and oils - performed in water treatment plants - is complicated and expensive, most oil ends up being wasted into the wrong places, such as rivers. There, oil can form a superficial film which prevents water from oxygenating, since gas exchange with the atmosphere is hindered. In addition, it adheres to the skin of fish, which alters their breathing capacity.
Currently, in Spain, the Green Spots (or storing spots) have a reception desk for all types of waste, including domestic oil. And there are several municipalities that have special containers around the city. If you do not have a service like this where you live, the least harmful thing you can do with used oil is to pour it into a plastic bottle and throw it away with other types of waste. As a biodegradable material, it will eventually end up as grass, since microorganisms will decompose it and integrate it into the natural cycle of matter. Another choice to get rid of used oil is to reuse it in the production of soap, a simple recipe affordable for any consumer.

Recipe: Recycling used oil to make homemade soap.

The first step is to filter oil in order to remove impurities and solid waste. Pour 125 ml of cooking oil with 100 ml of water into a large bowl and beat the blend until it turns into a cream. Then add 20 grams of lye and stir gently for half an hour, or the time it takes to form a rubbery, thick mixture. Lye can be purchased at any drugstore, and must be handled carefully. Use protective gloves: lye is a highly corrosive substance.
You can add some essential oil or fabric softener to improve the aroma of the finished soap. The mixture will be hot after adding lye, so let it cool down until the next day. Once cold, the resulting solid mass can be cut into soap bars.
This type of soap is very useful for washing clothes and dishes, rather than as body soap because its pH is not controlled.

In Argentina there are many business and industrial sites that sell and buy used oil. Some restaurant owners and ordinary citizens buy the services offered by these companies to collect used oil into suitable sealed containers that are periodically removed.
Wherever you live, if you will not immediately take used oil to a recycling center, never store it in empty food, beverage or chemical containers. Make sure the container is clean and clearly labeled "Used Oil" ("Used Oil.").

Remember that environmental quality is everybody's business, and we can all help.

Solidifying oil

An option for better handling of oil, either to take it to a collection spot or to throw it away, is to use a solidifying product that is added to the pan when oil is still hot. In about an hour, oil will become a solid stuff which you can easily grab.
On the other hand, domestic oil can be processed for the production of biodiesel. This involves, among other actions, filtering and adding substances that improve combustion in diesel engines, which do not require any alterations to run on this fuel. In addition, biodiesel is not toxic; it is biodegradable and produces fewer pollutants than traditional diesel. It is a clean, renewable fuel.

Blue petals of love

By Dolores Valentino

puntana writer, residing in Juana Koslay

doloresvalentino@hotmail.com

The heart was left naked, alone,

floating in space

when you left.

Palpitating in  the flight of the

passing bird.

Leaving your heart

hollowed out with pain

where a flower had nested.

Sunrise, instead,

invited it to lie down on its bed

of white poppies.

While suspended on tiny

silver tears

it broke in abandonment.

Sick of solitude, the hapless heart left,

Muted,

among the dark entrails of the night

with the blue petals of love.


"Translated by Matilde Machiavello"

Sustainability, education and adventure

by Graciela Lucero Arrúa 

Translator 

info@words-at-work.com.ar 

by Paola Irastorza 

Director Hueney Guide 

guiahueney@hotmail.com 

When visiting Buenos Aires, last November, Guía Hueney interviewed Andy Hadland, a member of the team made up of 11 graduates and students of the Energy Futures Lab, and the Schools of Electronic Engineering and Mechanical Engineering, all members of the RGE ( Endurance Racing Green) project, a pioneer plan of the University of the Imperial College London. 

Andy is responsible for controlling the identity and image of the RGE project. 

GH: Where are you going now to promote this prototype? 

A: We have just ended up in Argentina. We have travelled from Alaska to Argentina, about 26 000 km, and we finished a few days in Ushuaia, in the south. So we're here to tell you about what we have done. 

GH: Which are the goals of the project? 

A: The project has three objectives: sustainability, education and adventure. We want to show that environmentally friendly vehicles do not have to be boring or slow, as most people think. We want to show that these cars can be fun, attractive, efficient, and cheap; in short, all these positive aspects. This is the first objective. The second objective focuses on the idea of inspiring young people to study science and engineering because this century presents many challenges! As you know, it is a course that people prefer not to study. They want to do other things, but we want to show that if you work at it, you can get many interesting things. We show young people that there are many universities where they can study science and engineering, and we hope that perhaps, someday, they decide to study science. Finally, the third objective is adventure. We want to encourage people to do things. If you have a good idea, you should follow. There is always a reason not to do something, and there is always a better and stronger reason to do something. So, if you have a good idea, follow your dreams; this is the message. 

GH: What is your role within the team? 

A: I'm in charge of promoting the project through the media and the web site. My role is basically to tell the whole world about our work. We are all engineers in the team. It is important to have engineers in a project like this, but we all do something different. Some are in charge of administration, others logistics, others finding sponsors, and we all work together. 

GH: Which companies are your sponsors? 

A: We have 35 sponsors. The project costs about US$ 750, 000. Among many other companies, KPM is helping us with the promotion in the media. We are doing very well. Other companies are sponsoring the project with the clothing. I could go on, but it’d take an hour and a half to speak only of this issue! (laughter) 

GH: How long have you been working on this project? 

A: We started the idea in January 2009, and then we got the support of companies to carry it out. We finished in March 2010; so, we designed the whole thing in nine months. 

GH: How much is the vehicle? 

A: The vehicle costs about US$ 450, 000, which is cheap for a prototype. The cost of the project is US$ 750 000 due to the money we need to invest in terms of logistics, promotion, etc. It does not appear to need that much, but it happens as with any car: if something breaks, you have to fix it; we must maintain the car and make routine checks. 

GH: Has any automaker expressed interest in the prototype? 

A: You can use the technology of this car in any other vehicle. The engine is quite small, with about 40 cm diameter, and it can be adapted to any car. Some companies have expressed interest, yes, but if we are going to make something commercial of this, it must be a success in this phase. Because if something fails now, it would fail in the future. This is the time to start thinking.

San Luis’ Riches

Las Salinas: Meet the white salt mountains.

Balde and San Geronimo: places of hot springs with healing properties. 

Sierra de Las Quijadas: Follow the footprints of dinosaurs, which tell millions of years of history. 

Juana Koslay: Meet the Monument to the Puntano People of Independence, where San Martín enlisted soldiers to cross the Andes. 

Potrero de los Funes: observe the majesty of the Quebrada de los Cóndores (Gore of Condors) and find The Cacique (a natural stone figure). Enjoy a bath in the Salto de la Moneda, with a cascade of 15 meters and a basin of crystal-clear water. 

La Punta: Visit the replica of the town council building, the movie set, the Juan G. Funes stadium and Astronomical Park. 

El Volcán: a place with lush vegetation and a famous basin that offers deep water for swimming. 

La Florida: a place where you will find a large dam, ideal for swimming and fishing. 

La Carolina and Inti Huasi Cave: a village where you will be able to observe stones, visit old gold mines and a poetry museum. See stalactites, cave paintings, and much more ... going through excellent roads with breathtaking beauty. 

Quality and warmth

by Paola Irastorza

Guía Hueney Editor-in-chief 

guiahueney@hotmail.com

During November and December I had the chance to attend superb encounters and build new relationships, which allowed me to show San Luis artists’ potential with the greatest joy. Introducing the Independent Art Walk (Paseo de Arte Independiente) to Cuba allowed me to bring new experiences and concerns in art, culture and tourism matters, which I will be sharing with you in this edition. You can see more of this event at Hueney web site. Also, we will soon have a meeting with the artists who participated in this event to bring you closer to it, and to the learning gained from such great artists.  We were pleasingly recognized as the only province in Argentina which showed its artists in an organized way. People were surprised by the quantity, quality and variety of art forms in San Luis. There was a special mention by the curator of the show, Yainet Rodríguez Rodríguez, and I was invited to deliver a speech. Though a little bit nervous, I could tell the audience with great joy about the efforts independent artists make to show their work.

Upon returning from this positive trip to Cuba, I participated as a guest in the Meeting of Writers "Tribute to Paulina Movsichoff", in Villa Mercedes, which was organized by the Arcadia Group. At this meeting, I was able to share and show the actions of this magazine, and give a gift catalog of the Independent Art Walk. In a reading round, I read one of my stories. I would like to emphasize the creativity of the mercedino writers and the pleasure one gets by listening to the poems by our author, Jerónimo Castillo. I would also like to thank all those people making the Arcadia Group, as well as the participants invited, and particularly, Dario Oliva, who carries these actions out with much effort and love.

I say goodbye to you all until the next issue, but before that, I am glad to inform you that Guía Hueney is now available in a new digital format (PDF), so that you can see the same print issue. Last, but not least, it is my pleasure to introduce Matilde Machiavello, linguist and professor of English at the University of Buenos Aires (UBA), who will be in charge of the translation of literary texts from Spanish into English.

It is always our commitment to offer quality and warmth in every issue of Guía Hueney, which is possible thanks to people of the best kind.

Guía Hueney with Cuban artist Leo D'Lázaro and Curator Yainet Rodríguez Rodríguez

We delivered over 150 gifts promoting Art, Culture and Tourism in San Luis.

Guía Hueney and Susan Kusa give the art sample to Professor Ana María Paredes, Director of the Centro Provincial de Casas de Cultura de Cuba (Provincial Center of Cuba Culture Department).

Echoes from CulTurAr Habana

by Joseph Pomelapocha¹

Cuban artist and writer

pomelapocha1@gmail.com 

"A tango flies in Copa Airlines 

and stays at Habana Libre ... "

I will use the first lines of the poem "Brindis Inolvidable" (Unforgettable Toast) to start my comment, which is no more than the echo of what happened in the Cuban capital last November. I was lucky to join the event just the day Cuenta Habana (Havana Tells a Story) began. A group of storytellers led by Argentine Claudio Ledesma exchanged the experiences of the old art of words with Cuban counterparts. The Casa de la Obra Pía (Pius Charitable Organization), the Casa de África (African House ), and the Casa Simón Bolívar (Simón Bolívar House) are cultural institutions embedded in the historical center of Havana which caught Patakies (Yoruba stories), fables and legends of Cuban literature; South American literature was also very well represented. Through their narratives, each visitor seemed to evoke those classic lines of the stave, that reads "vení, volá, vení, trai, lai, la larará” (come, fly, come, la, la, la larara*), which was reflected in the applause, in the smiles, the sighs and thoughts stolen to the audience, grateful happy children and adults. A special moment came when Cubans and Argentines decided to stand up to give a warm and prolonged applause to the lady of the stories, the Cuban storyteller, Aide Arteaga, who is celebrating her 95 years of age these days, and does so as any minstrel would- telling stories. 

After that, a bus crossing the streets of Havana introduced the participants to the Seafront, from where they could also observe the bay and forts that used to defend the city from pirates attacks, and where an old cannon is still giving its loud greetings at nine every night ... and just at that time, “Tangos and Milongas ruled November”¹ – again, the parody of a verse from the same book expresses what I mean accurately.

The Hall of the Habana Libre Hotel, Las Cañitas, was the venue where the popular dance of Buenos Aires found its place on November 26^th. On that night, it was clear that tango exists as a ballroom dance in Cuba as well. And as long as the cultural exchange exits between the island of the cigar and San Luis artists, tango will attract more people, since Cubans are romantic, erotic and like living “the synopsis of vehemence” (borrowed from another verse). That night there was evidence that many people from the audience became apprentices of these master classes taught to learn the dance of whispers, and where the lips of a young woman, Carolina Cingolani, won the reverence of silence with the charm of the tango itself and the seduction power of a bolero. A still unknown magazine at that moment – Hueney -, gave the audience a burst of laughter and it was caught by them; after reading it that same night, a Cuban poet and storyteller said, "San Luis / lends its rain / to the streets of Havana." 

On Friday morning, the visiting friends knew more than a five-star hotel, much more than Havana Seafront, and more than a beautiful blue beach called Varadero. Together with Elvia Perez and other storytellers, they visited the Arroyo Naranjo town, the birthplace of José Antonio Méndez, author of “Novia mía, si me comprendieras” (Bride of mine, if you understood me) and “La gloria eres tú”. (The glory is you). This time the Argentine participants gave their art in the Municipal Museum La Güinera, and ended up in the Hurón Azul (Blue Huron) Museum, former home of the famous painter Carlos Enríquez. 

Resuming what happened at Habana Libre Hotel, I think the sample of San Luis artists is comparable to the charm of this hotel, real gems of jewellery, sculpture, painting, photography, digital art, crafts and drawing. Mrs. Paola Irastorza proved to be an excellent cultural promoter, and also gave Cuba a literature sample from San Luis which was well-accepted. 

On Saturday, there were presentations from several countries. I would like to highlight again the work of storyteller Claudio Ledesma. The presentation on the defence of Afro-Argentinean culture, by young Dinah Schonhaut - “Quilombo” (“mess” in Buenos Aires slang) -, as well as the speech delivered by the Uruguayan Matilde Machiavelli on neurolinguistic programming techniques are also worth mentioning. Another Argentinean friend educated us with her experiences on visual arts for children in poorer areas. Storytellers again made headlines with their performances at the Gran Teatro de La Habana, where they shared that moment with another icon of storytelling in Cuba, Octavio Pino.

The International Meeting of Culture, Arts and Tourism closed happily with a gala at the House of A.L.B.A between artists from the land of sugar cane and artists from the Rio de la Plata. The spicy story told  by a retired woman, the story told by the master of storytellers, the compelling voice of Carolina, as well as the proof that tango, as a dance, is life, and Paola with her catalogue of the Independent Art Walk in hand , led the Cuban poet say: "Fantasy in San Luis / wears the most real dress." 

I hope there is a fourth edition of CulTurAr Habana in 2011. 

My heart is now looking South. 

¹⁾ The author is a storyteller, musical comedian, entertainer, and speaker. Member of the Union of Writers and Artists of Cuba (UNEAC), he also belongs to the Provincial Music Center Adolfo Guzmán. He is a member of the Cuban Chair of Oral Narrative. Director of Project Ozun. He has won awards in provincial and municipal meetings on literary workshops. 

His texts of poetry for children, adults, and his narratives have been published in anthologies, and in the magazine Alma Mater. Member of the literary workshop Ernest Heminway, some of his poems have been set to music. He is a member of the Cuban Agency of Musical Copyright (ACDAM) and The General Society of Authors and Publishers (SGAE) in Spain. He is also the President of the Oral Narration Show "12 hours of stories in the city of Papier Mache." 

²⁾“Reinan Tangos y Milongas en Noviembre” (Tangos and Milongas rule November)  is a book dedicated to the people of San Luis and the Narrator and Cultural Promoter, Paola Irastorza, who showed me how beautiful Argentina, San Luis and Potrero de los Funes are. I owe her the pleasure of knowing about such great creators.

*the sound one makes when humming a song.

Catalogue of San Luis Artists

Catalogue of San Luis Artists who registered at the Third Edition of Guía Hueney’s Independent Art Walk in Cuba.

Gustavo Caneda – Crafts (containers for appetizers, hangers, board for roast meat, wine barrels) – Potrero de los Funes

Ludmila Bedair – Crafts (Kaleidoscopes) – Potrero de los Funes

Ricardo Villanueva – Digital Art (filmmaking) - Potrero de los Funes

Blanca Rosa Sosa – French Art (laminated photography, silicone, varnish) – San Luis

Jorge Raúl Saibene – Sculpture (sculpture in calden wood) – Villa Mercedes

José de Cristófano – Sculpture (sculpture in guatambú, oak and palo blanco wood) – San Luis

Juanjo Becerrra – Sculpture (alpaca, silver, old cutlery, leather, coins, bronze) – Villa Mercedes

Lilian Perroni – Sculpture (wood, plaster cast, acrylic, oil painting, papier-mâché) – San Luis

Alexandra Rubiño – Sculpture and drawing (concrete, canvas, clay, iron, recycled materials) – Juana Koslay

Olemberg family – Sculpture and music (making of musical instruments – spinning and knitting with human hair) – La Toma

Osvaldo Aguilera  - Sculpture and music (carving and engraving with flagstone – guitar player and folk singer) – San Luis

Tita Alonso  - Sculpture  and painting (stone, acrylic, aerosol, paraffin, dried seeds, plaster cast, glass, recycled material) – San Luis

Sandra and Matías Molina – Dancing/ Tango (shows and classes) – San Luis

Franco Siracusa – Photography (film and digital photography – graphics - hand processing of films) – Villa Mercedes

Luis Miranda – Photography and drawing (landscape digital photography without retouching) – Potrero de los Funes

Paola Irastorza – Photography and literature (digital photography, design, art, communication, and education) – Potrero de los Funes

Nélida Olguín F.  – Photography and painting - San Luis

Dolores Valentino – Literature – Juana Koslay

Myriam Olga Mrercau – Literature – Juana Koslay

Rodolfo Otoniel Molina – Potrero de los Funes

Favio Violante – Silversmithing/goldsmithing – Juana Koslay

Adriana Toledo – Painting – Potrero de los Funes

Adriana Giuliani – Painting – Juana Koslay

Cecilia Adriana Gatica – Painting – San Luis

Flora Isabel García – Painting – Villa Mercedes

Gastón López Alcaraz – Painting - San Luis

Graciela Imperinato  -Painting – San Luis

Marita Uvilla  -Painting and sculpture – San Luis

Carina Levin – Painting and photography – Potrero de los Funes

M. Iglesias Dávila – Painting and Photography – San Luis

Dido – Painting and murals – Juana Koslay

Achievements in perspective

by Gabriela Rosell 

BA in Special Education - Early Stimulation Specialist 

grosell@unsl.edu.ar 

“Plan metodológico de integración de niños con TGD en una escuela común” (Methodological Plan for the integration of children with PDD in a common school environment) Award.  Project presented by Professor Verónica Santiago and Ms. Melissa F. Gaibazzi - Stoikheia Institute- San Luis, at the V National Congress on "Learning Disabilities and Language" (“Trastornos del Aprendizaje y del Lenguaje”).

 When it comes to promoting a pluralistic society, there are examples in the province of San Luis, Argentina and the world, unthinkable a few years ago. If we talk about the integration of students with special educational needs – who, in turn, live a condition of temporary or permanent disability - San Luis shows that he path can be made up as one goes along it.

The possibility of living, working, loving, educating and entertaining in diversity is throbbing in our society ; this is equivalent to growing and travelling a road of no return, to functioning as an inclusive society. We may not be able to live enough to see full inclusion, but our children and grandchildren will surely strengthen this movement that began in the second half of last century, with the help of the achievements in human rights. 

Integration processes in all areas - school, sports, and labour, among others - are matrices, basal structures that will hold pro-inclusion steps in the future. In other words, without these integration processes, inclusion would not be possible in the future. 

In this sense, all kinds of events are organized in order to disseminate experiences. In our province, the V National Congress on Learning and Language Disabilities took place on November 19^th and 20^th 2010. Prestigious speakers, such as Dr. Juan Narbona García (Spain), among other leading professionals were present in this event. The objective of the conference was to promote advancements and updates in the field of Learning, Communication and Language Disabilities. The crux of all presentations was the improvement of the life quality and the resources needed to support people with disabilities and their families with a global approach that includes integrity in interactions with the environment in which they grow up. 

San Luis was represented by different professionals.  The lecture given by Professor of Special Education Veronica Santiago, Principal of Stoikheia Institute, and by Melissa Gaibazzi, B.A  in Speech Therapy (who also specializes in Autism and PDD - pervasive developmental disorder- and  who is a member of Children's Medical Center “Pediátrica San Luis” - San Luis Pediatrics) is worth mentioning. Both professionals spoke before an audience made up of people working in provincial, national and international organizations. The main topic of the speech was the integration actions that this institution is carrying out for students with special educational needs, and who also have autism and PDD. This situation was virtually unthinkable a few years ago. Ms Santiago and Ms Gaibazzi also spoke about the apparatus designed to give an appropriate educational response to their students, watching the support needs of students with autism and PDD, as well as the requirements of their pairs (children without disabilities) and their families, faculty and school staff. Among other issues, they highlighted the benefits of teamwork, the importance of external support to enrich the educational intervention, the importance of inviting the family to participate and enhancing their role, the urgent need to work with the environment. A project like this must include the integrated child's peers, as well as all the teachers of the institution, the non-teaching staff (janitors, secretaries, etc) and parents. 

Finally, it is noteworthy that this work has been evaluated by the Scientific Committee and has been awarded a prize to the best presentation, which is a pride for our province, a role model, an incentive to all those who are doing their best in favour of a plural society (from the place that each one occupies in society), in one way or another. It is necessary to highlight the willingness and openness of Professor Gabriela Bodar, Stoikheia Institute's legal representative and that of the management team, who opened the doors of the institution to implement the school integration system, created out of the needs of each group of students. 

The closing ceremony of Stoikheia Institute’s 2010 school year, was an emotional, captivating, and absolutely inclusive event. The viewers could see that children with disabilities and their families could access the same creative, artistic and academic proposals than the rest of their classmates, with the support that each one needs. Parents highlight the successful integration system, and therefore understand that their children, as well as their peers with disabilities, are benefited from these actions in this context. This means that what the professionals presented in the Congress could be seen at work . 

We are witnessing today a large number of institutions in our province, who are going the same way, perhaps with different methodologies for their proposals, but definitely doing their best for the sake of each child and respecting the right of common access to education for persons with disabilities. 

Congratulations to all!